Lizzo: “Cuz I love you”

This Detroit-born flute-handling singer-songwriter and her major label debut “Cuz I love you” cuzed a little stir in the music industry due to the loud, body positive image and often genreless (technically confusing?) tunes. Her newest album is full of musical influences, energetic beats and obviously confident phrases – sung, rapped, yelled…

The record opens with a title track. Cuz I love you, according to Lizzo herself is a big, brassy, orchestral moment. Indeed, it does sound like some show-opening, Beyoncé-inspired, monumental high school drama audition. Soulful, powerful vocals appear now and again, in between of rappy verses. As the record ends with its powerful and dramatic title verse, another song starts. Like a girl is a pleasant, entertaining and sweetly naive anthem, with lyrics referencing Serena Williams and personal independence. That could have been one of the modern feminist anthems. Well, I think Kesha did it better a couple years ago on her “Rainbow” album.

Juice, the lead single off the album, which to me sounds Motown inspired(in a very lovely way!) is the quintessence of Lizzo’s style(both musically and lyrically) and the best song on the record. “Mirror, mirror on the wall, don’t say it cuz I know I’m cute!” – even the first few seconds of this bop prove the banger-ability this girl has and the reason why she finally got signed to Atlantic Records. Such a shame that the next track, Soulmate, is a totally predictable, tired to death bore full of industry tricks. Jerome shows the amazing vocal ability of the singer, and despite sounding a bit like Rihanna’s Love on the brain and using the “open letter to the guy who hurt me” formula is still one of my favourites. Cry Baby and Tempo are also worth listening. The first one has a great instrumental and first class, heartfelt, vintage vocal performance. The second one, with a instrumentally confused intro, is a duet with Missy Elliot and a proper ping pong, mind fuck piece. Exactly how I feel is a squeaky collab with Gucci Mane, Better in color shows off her true ones, with a production again being a mix of vocal-showing retro and “these today’s rappers” style. After brilliantly written Heaven Help Me, the album ends with a stripped down Lingerie.

Lizzo is definitely a desperately needed figure in today’s music, and a great inspiration for artists who don’t want to be locked inside a one genre drawer, despite the suggestions of the record label. Hopefully, for Lizzo it’s a beginning of something big. Is the album worth listening? Yes. Is it going to be iconic one day? No.

What’s going to happen to Karl Lagerfeld’s cat?

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Source: Getty Images/ P. Kovarik

The passing of Karl Lagerfeld has left everyone interested in high fashion shocked. “What’s gonna happen to Chanel and Fendi?” – people are asking on social media. There is no doubt that Lagerfeld changed the world of fashion, introducing some of the most controversial ideas at the same time staying loyal to Gabrielle Chanel’s legacy. Millions of people are still sharing their tributes on Instagram, Facebook, and Twitter, even though there’s plenty of people for whom paying tributes to Lagerfeld is an example of bad taste.

Not many people know that Karl Lagerfeldt, born in Hamburg, Germany in 1933, had dropped the “t” from his last name to make it sound more commercial. He taught himself English and French(which must have been hard in the era with no iPhones and internet), left home as a teenager and shortly after started working for Balmain and Chloe. Two brands that the legendary designer has always been most associated with are fashion giants Fendi and Chanel. In the high fashion world, we can often see big brands dropping their creative directors and replacing them(Alexander Wang only lasted, like, 2 years at Balenciaga and Raf Simons despite good reception about the same in Calvin Klein, just to give an example).*  That’s why I think it’s impressive that Karl had stayed at Fendi for almost 55 years. His career at Chanel lasted almost 37 years.

I woke up in the morning and got a notification from the BBC News app. I went on Instagram and saw the black and white portrait of Karl posted by Vogue. Shortly after my friends started posting as well. It seemed like everyone was heartbroken. That’s the cheap, superficial aura of respect that dominates social media after the passing of any famous person. I have to admit, it made me feel a bit sad too. I care about the fashion industry and I’m aware of the level of sympathy a lot of stars shared for him, despite the controversy and criticism surrounding his persona(accusations of racism, Islamophobia, misogyny, popularising eating disorders and much more).

Usually, after someone’s passing our thoughts are with their loved ones. Karl Lagerfeld who died at the age of 85 wasn’t married or even in a publicly confirmed relationship with another… human person.

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Choupette – Lagerfeld’s biggest love – was a gift from Baptiste Giabiconi, Lagerfeld’s favourite model(Karl made him the male face of all three brands he designed for – Chanel, Fendi and Karl Lagerfeld). Believe it or not, the charismatic kitten quickly became a celebrity – starting with a photo shoot for V Magazine, followed by the one for Brazilian Vogue. She has her OWN TWITTER AND INSTAGRAM ACCOUNTS (over 262 000 followers on Instagram), modelled for car and make-up companies and according to Lagerfeld – earned over 3 million euro. 

Sources describe Choupette as a “spoiled, cheeky but loving madam”. She likes using her iPad, eating at the table with Karl(sadly, not anymore), Collette handbags and her maid Francoise.

Choupette was one of the first to officially post on Instagram after Karl Lagerfeld’s death.

“Thank you everyone for your words of condolence. 😿 With a once cold but now simply broken heart, I am going into mourning. I pray that your kind words and well-wishes will help me to put my best paw forward in my future without Daddy @KarlLagerfeld & as my own woman.” said the famous cat.

After his death, Lagerfeld left Choupette, the cat he wanted to marry, the £150 billion fortune. It’s not yet clear how is it going to work…

Love is love (?)

BUY MY BOOK HERE

 

 

*of course not all directors are fired, but let’s make it clear, most of them leave huge fashion houses and end up doing their own mediocre lines that don’t sell well. I don’t believe every single one of them is a fasting artist who just wanted to do their own niche thing!

 

How I failed as a young author

Incredible was the satisfaction I felt after I finished my first novel in polish. I was about, I don’t even know, 18? 19? I’ve always been overly dramatic, at the same time keen on social issues. Maybe these two characteristics don’t seem to be too connected at first sight, but they are. After my first boyfriend broke up with me over Skype after, well, two and a half years together, I knew it’s the time to let my emotions out like I’m Kelly Clarkson in Since U Been Gone. That was about the time I dropped out of school and started taking British tourists to bars and clubs for a living. All of these things together made me write this unusual… piece, that many wouldn’t even call a novel. I called it, in translation, The Hookup Culture. It was about being young and gay in Poland, dealing with a break-up by drinking five vodka sodas at once, and also making fun of Krakow’s tiny and little-townish gay scene.

The pride in me was indescribable. 19 year old me was sure he’s going to win some People’s Choice Award for that book, everyone will find it funny, exciting and groundbreaking. Unsurprisingly, that wasn’t a case.

Until that cold Autumn evening at my boyfriend’s flat in Tottenham of Krakow. He cooked dinner, I was being lazy as always. Then, the email notification popped up on my iPhone. This guy from Ha!Art, huge left-wing/gay/feminist/queer/millennial publishing company emailed me, praising my book. I didn’t manage to keep it cool and told literally everyone in the gay scene, and even some people from my family, that I’m going to become a professionally published author, have my work on the shelves of high street bookshops and god knows what else. And that almost happened. They published a chapter of my book on their website(HERE, polish) and invited me for a meeting to talk about the release.

And then they stopped sending me updates. Complete silence. People kept asking about the release date, which wasn’t even a thing anymore. That was such a disappointment. Year or two later, already in England, I knew that I want to keep on writing. (In English of course, since I decided to stay.) At least that experience, however embarrassing, taught me to write for myself, and if someone else likes it one day – great!

London was such a surreal time for me. It almost felt like a girl who used to milk cows all her life was invited to Elton John’s Oscar Party. Even crossing the street felt amazing. I saw normal people on the street wearing things, in Poland only celebrities could afford. And that Hot Dog in Harrods… 20 pounds for a Hot Dog!

One time on Oxford Street, me and my best friend had noticed a guy being chased by Selfridges’ security. He clearly stole something from the ground floor, like jewelry or perfume. My friend said then: “Look at his Eastern European outfit”. I started thinking about us from that perspective. How others see us, think of us. With our Frappucinos from Starbucks, Tom Ford sunglasses, McQueen shoes, trying to be someone we were clearly not. Or at least I was not.

That’s why I started this thing, this “novel”, with all the observations and experiences from London. Parties, sex, drugs, fashion, fake people… After I finished it, I sent it to agents and publishers. I got, like, two emails back from publishers, exchanged like ten emails with one of them, but then thought it’s all not worth the effort. It’s just some short collection of thoughts and events that happened to me at 21. That’s why I decided to put it up on Amazon, firstly as an ebook, now also as a paperback. It’s called Cheap Eastern European Boys and you can buy it by clicking HERE:ebook or HERE: paperback.