The Glasgow School of Art fashion show

The Glasgow School of Art is without a doubt one of the most renowned and respected university-level institutions for future creatives in the country. It seems to be impossible to even read an article or watch a video about the city that wouldn’t include some information about the school. The students usually describe the place as a free, creative space, that despite being hard to get into, motivates the students to express their ideas and provides them with all the required skills. In 2017 documentary created by i-D Magazine, one of the Fashion and Textile students said:“I think it did have a reputation of, maybe perhaps, a rough area, but I feel like creativity has always lived in Glasgow”.

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Recently I was provided with a chance to attend their annual fashion show. As a person deeply interested in fashion, not only from the perspective of business and media but also from its often forgotten niche and artistic side, I felt excited to finally see the real outcome of students’ work. I arrived at the venue quite early, had a quick look at the posters and leaflets laying everywhere around me, then had a nice quick chat with two students in the gender-neutral toilets.“My friend worked so hard for this”, one of them told me.

The show, which seemed like it was almost sold-out, started with a quick presentation of the second year students and the theme of White Shirt/Black Silhouette. In total, twelve students presented their work which for me concentrated on deconstruction and playing with shapes. It’s a very popular approach to fashion design in art schools. After a short presentation of second-year students, over thirty designers of third-year Fashion and Textiles presented three outfits each. The work of each of them was categorized as either Embroidery, Fashion, Print, Knit or Weave. It wasn’t hard to notice the source of inspiration in some of the work presented that day. Print students impressed me the most, with some of the designs including a true WOW-factor. Colorful and vibrant outfits, simple in their form, like a set of total-printed shorts and a shirt put together with a pair of plain white trainers reminded me of designers like Jeremy Scott from the brand Moschino or current things we can see at Prada.

After the show, I caught up with one of the students – Kelly Sloan, whose work concentrated on Embroidery at its very best. After Kelly told me she came to Glasgow School of Art straight from college, I finally realised the phenomenon of the famous school. A goal-focused, hard-working environment of people who are being taught how to embrace their creative visions by staying true to themselves.“For me, I definitely think it’s colour and texture that inspires me the most”Kelly told me after the show.“Whether it being on a building or within a random object, I always seem to be drawn to these elements. These elements also help me develop my further as I begin to look closely and focus in of these different qualities”.

As I have mentioned before, different influences and designers of inspiration could be noticed within designers work. It’s important to know your path and direction at the beginning of any creative career. I asked Kelly to tell me a bit about artists and designers that inspired her designs.“I am inspired by different designers for each project I’m presented with. But if we’re talking fashion show, then avant-garde was a huge inspiration as my goal was to showcase large and intense fashion pieces. Viktor & Rolf were also a prominent inspiration for my fashion show garments as I’m a huge fan of the scale and silhouette of their collections.”

In the i-D Magazine documentary about Glasgow which I mentioned above, we can hear about the hard-working environment and amount of work students of the school need to put in to finish all the required tasks. I decided to ask Kelly about this as well.“[The Glasgow School of Art is] Extremely hard working!”she told me without hesitation.“As I went straight into third year at GSA with a direct entry from college, I wasn’t aware of the workload at The School of Art and the thing that’s struck me the most was the work ethic. Most days you’re in from 10 AM until 10 PM and that’s just the complete norm for everyone to be working those hours in order to get stuff done.”

There is no doubt that for many people, fashion is still seen as wearing crazy outfits on a catwalk and selling underdesigned garments for way too much money. I finished my conversation with Kelly by asking her:What would you like the readers to know about creating a collection and putting on a fashion show? Just so they can understand your position better…”.After a short while, Kelly replied:“Fashion industry is so huge that I think it can be difficult for designers to get their name out there and be known [by a larger audience]. I think my biggest goal is for my work to be noticed and recognized for its style, really just to be successful with selling my creations to a large crowd and be able to make a living from something I love to do so much.”

Follow Kelly Sloan on Instagram – @sloankel and her portfolio account @ksloantextiles

What’s going to happen to Karl Lagerfeld’s cat?

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Source: Getty Images/ P. Kovarik

The passing of Karl Lagerfeld has left everyone interested in high fashion shocked. “What’s gonna happen to Chanel and Fendi?” – people are asking on social media. There is no doubt that Lagerfeld changed the world of fashion, introducing some of the most controversial ideas at the same time staying loyal to Gabrielle Chanel’s legacy. Millions of people are still sharing their tributes on Instagram, Facebook, and Twitter, even though there’s plenty of people for whom paying tributes to Lagerfeld is an example of bad taste.

Not many people know that Karl Lagerfeldt, born in Hamburg, Germany in 1933, had dropped the “t” from his last name to make it sound more commercial. He taught himself English and French(which must have been hard in the era with no iPhones and internet), left home as a teenager and shortly after started working for Balmain and Chloe. Two brands that the legendary designer has always been most associated with are fashion giants Fendi and Chanel. In the high fashion world, we can often see big brands dropping their creative directors and replacing them(Alexander Wang only lasted, like, 2 years at Balenciaga and Raf Simons despite good reception about the same in Calvin Klein, just to give an example).*  That’s why I think it’s impressive that Karl had stayed at Fendi for almost 55 years. His career at Chanel lasted almost 37 years.

I woke up in the morning and got a notification from the BBC News app. I went on Instagram and saw the black and white portrait of Karl posted by Vogue. Shortly after my friends started posting as well. It seemed like everyone was heartbroken. That’s the cheap, superficial aura of respect that dominates social media after the passing of any famous person. I have to admit, it made me feel a bit sad too. I care about the fashion industry and I’m aware of the level of sympathy a lot of stars shared for him, despite the controversy and criticism surrounding his persona(accusations of racism, Islamophobia, misogyny, popularising eating disorders and much more).

Usually, after someone’s passing our thoughts are with their loved ones. Karl Lagerfeld who died at the age of 85 wasn’t married or even in a publicly confirmed relationship with another… human person.

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Choupette – Lagerfeld’s biggest love – was a gift from Baptiste Giabiconi, Lagerfeld’s favourite model(Karl made him the male face of all three brands he designed for – Chanel, Fendi and Karl Lagerfeld). Believe it or not, the charismatic kitten quickly became a celebrity – starting with a photo shoot for V Magazine, followed by the one for Brazilian Vogue. She has her OWN TWITTER AND INSTAGRAM ACCOUNTS (over 262 000 followers on Instagram), modelled for car and make-up companies and according to Lagerfeld – earned over 3 million euro. 

Sources describe Choupette as a “spoiled, cheeky but loving madam”. She likes using her iPad, eating at the table with Karl(sadly, not anymore), Collette handbags and her maid Francoise.

Choupette was one of the first to officially post on Instagram after Karl Lagerfeld’s death.

“Thank you everyone for your words of condolence. 😿 With a once cold but now simply broken heart, I am going into mourning. I pray that your kind words and well-wishes will help me to put my best paw forward in my future without Daddy @KarlLagerfeld & as my own woman.” said the famous cat.

After his death, Lagerfeld left Choupette, the cat he wanted to marry, the £150 billion fortune. It’s not yet clear how is it going to work…

Love is love (?)

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*of course not all directors are fired, but let’s make it clear, most of them leave huge fashion houses and end up doing their own mediocre lines that don’t sell well. I don’t believe every single one of them is a fasting artist who just wanted to do their own niche thing!