Coldplay – Everyday Life
I try not to listen to Coldplay. Despite hating when people divide artists’ discographies into “good old” and “crappy new” stuff, I have to admit that Coldplay should have ended at its peak with Mylo Xyloto and the viral single Paradise. Or maybe even earlier, sometime around “Fix You”, which is the only Coldplay song I ever considered lyrically relevant.
Don’t get me wrong, I’m a sucker for ballads. I could listen to “In my room” playlist on Apple Music for 365 days straight without complaining even once. Everyday Life is a different kind of story. It’s probably one of the most generic, boring and lyrically dull songs I’ve ever heard in my life. From an incredibly basic “Everyone loves, everyone cries” (no shit) in the chorus, to the random hallelujahs at the end… Highly disappointing.
Lil Nas X – Panini
Old Town Road is currently the longest-running number-one song in US history. Let’s not forget that with big achievements come big expectations. Personally, based on his EP, I don’t think Lil Nas X is going to have any big career whatsoever. Panini is one of the most annoying, underwhelming tracks of the year. With its banal as hell lyricism and amateur finish, it’s definitely one of the worst tracks I heard in a long time. Also, how unoriginal do you have to be to release songs shorter than 2 minutes, having been given such an fantastic platform? Lil Nas X stands for an absolute lack of concept and is going to become a one-hit-wonder, for sure, which is a shame.
Selena Gomez – Look At Her Now
Miss Gomez is still trying, bless her. Look At Her Now is one of the two singles off the upcoming album Rare. In my opinion, sad ballads such as Lose You To Love Me are much better for her voice and vibe, despite not being anything original. Look At Her Now is a total mess in terms of production and one of the most ridiculous choruses ever. If TikTok was a country, this would be its national anthem. Next.
Kesha – Rich, White, Straight Men
I’m a massive Kesha fan, and always have been. I remember rocking the fuck out of every track on Animal in my bedroom as a teen. I also supported every official release after that, including mostly wonderful Rainbow. Her upcoming album High Road also seems promising and I can’t wait to hear it in full. This non-album single released in June last year is not really my cup of tea, as I prefer when Kesha drops bangers, not standards.
Recorded in a creepy Cabaret style and produced like a bedroom demo from Garage Band song is one of the lowest points of her career. A bit of social/political commentary is fair, but it could have been done so much better. “Vroom vroom, fuck you / what if life as we knew it was over?”. Well, mine is, after hearing this song.
Madonna – Bitch I’m Loca
Last year I wrote a favourable review of Madonna’s Madame X. I still stand by my opinion that in comparison to all the other post-Confessions albums Madame X is an interesting improvement. Bitch I’m Loca is definitely the lowest point of that album. The song is a second Maluma collaboration on the record. I absolutely loved the lead single Medellin and charming, yet cheesy concept. Bitch I’m Loca is a perfect example of a filler, something that should be picked up in post-production, erased and forgotten. It’s also a lyrical rock bottom, and defending is as a “fun track” doesn’t help. Bitch I’m Madonna was cringeworthy but at the same time a bit fun, with all the celebrities participating in the music video etc.
Madonna is Madonna, we get it. What this track was meant to prove, I still don’t get.
PS. I didn’t include anything from Liam Payne’s AWFUL debut album, as most singles off that record were released in 2017 and 2018. I didn’t listen to the rest of the album after all the bi-phobic and primitive lyricism made the headlines.
I also didn’t listen to Ed Sheeran’s collaboration project as I did not like the idea. I also read most of the reviews and decided that would be a total waste of time.
Happy New Year!