This Detroit-born flute-handling singer-songwriter and her major-label debut “Cuz I love you” cuzed a little stir in the music industry due to the loud, body-positive image and often genreless (technically confusing?) tunes. Her newest album is full of musical influences, energetic beats and obviously confident phrases – sung, rapped, yelled…
The record opens with a title track. Cuz I love you, according to Lizzo herself is a big, brassy, orchestral moment. Indeed, it does sound like some show-opening, Beyoncé-inspired, monumental high school drama audition. Soulful, powerful vocals appear now and again, in between of rappy verses. As the record ends with its powerful and dramatic title verse, another song starts. Like a girl is a pleasant, entertaining and sweetly naive anthem, with lyrics referencing Serena Williams and personal independence. That could have been one of the modern feminist anthems. Well, I think Kesha did it better a couple years ago on her “Rainbow” album.
Juice, the lead single off the album, which to me sounds Motown inspired(in a very lovely way!) is the quintessence of Lizzo’s style(both musically and lyrically) and the best song on the record. “Mirror, mirror on the wall, don’t say it cuz I know I’m cute!” – even the first few seconds of this bop prove the banger-ability this girl has and the reason why she got signed to Atlantic Records. Such a shame that the next track, Soulmate, is a totally predictable, tired to death bore full of industry tricks. Jerome shows the amazing vocal ability of the singer, and despite sounding a bit like Rihanna’s Love on the brain and using the “open letter to the guy who hurt me” formula is still one of my favourites. Cry Baby and Tempo are also worth listening to. The first one has a great instrumental and first-class, heartfelt, vocal performance. The second one, with an instrumentally confusing intro, is a duet with Missy Elliot and proper ping pong, mind fuck piece. Exactly how I feel is a squeaky collab with Gucci Mane, Better in color shows off her true ones, with production again being a mix of vocal-showing retro and “these today’s rappers” style. After brilliantly written Heaven Help Me, the album ends with a stripped-down Lingerie.
Lizzo is definitely a desperately needed figure in today’s music, and a great inspiration for artists who don’t want to be locked inside a one genre drawer, despite the suggestions of their record label. Hopefully, for Lizzo it’s the beginning of something big. Is the album worth listening to? Yes. Is it going to be iconic one day? No.